A film by Chinese director Guan Hu
When Biltzen announces his retirement on December 21st, a miniture horse has 3 days to fulfill his life long dream of earning a spot on Santa's Team at the North Pole try-outs
Jacek loves heavy metal and his dog. He converts the country lanes outside his door into a racing track and bombs down them in his little car. When he and his girlfriend Dagmara take to the dancefloor, everyone runs for cover. He enjoys his existance as a cool misfit in an otherwise stuffy environment, and keeps his muscles toned working on a building site close to the Polish-German border where the world’s largest statue of Jesus is being constructed. But then his life is thrown badly off course by a terrible accident at work that completely disfigures him. Eagerly followed by the Polish media, Jacek becomes the first person in the country to receive a face transplant. He may be celebrated as a national hero and martyr, but he no longer recognises himself in the mirror. Meanwhile, the statue of Jesus grows taller and taller. Whilst events around Jacek come thick and fast, the film never loses sight of the bigger picture and instead brings things even more into focus.
Captures the vivacity and charisma of the jota, a waltz-like castanet dance with its origins in the province of Aragon.
A writer gets into a rehab where he meets a lot of successful men who destroyed their lives with alcohol.
The forest’s police chief Gordon is about to retire and he needs to find a new assistant. Paddy, a clever mouse with a great sense of smell seems to be the right candidate. Together they have to solve Gordon’s last case – the mystery of squirrel’s missing nuts. Could it be the fox that took them? Gordon and Paddy will soon find out.
James Lavelle played his first DJ set at 14, launched pioneering record label Mo'Wax at 18 and released the genre defining UNKLE album Psyence Fiction at 22. His phenomenally rapid rise seemed limitless, but it's only when you're going so fast that the wheels fall off. The Man from Mo’Wax tells the remarkable story of one of the most enigmatic yet influential figures in contemporary British culture. Unearthed from over 700 hours of footage including exclusive personal archive spanning three decades, we get the rare opportunity to watch a boy become a man in the world of music. The result is an exhilarating, no holds-barred ride into the life of an extraordinary man and an equally extraordinary era, taking in some decidedly flawed decision-making (both personal and professional), Lavelle emerges as an innovative artist who thinks big and consistently overcomes adversity.
The late director Sydney Pollack's behind-the-scenes documentary about the recording of Aretha Franklin's best-selling album Amazing Grace finally sees the light of day more than four decades after the original footage was shot.
In Benoît Jacquot’s production, Manet’s Olympia dominates the stage of the Opéra Bastille. In 1863, the painting caused a scandal: the prostitute awaits her client, her expression proud, her demeanour assured. Is this Violetta? Like Olympia, Verdi’s most celebrated heroine surrenders to the spectator just as she surrenders to love, going so far as to die on stage, a woman’s ultimate sacrifice for her lover. Or might it be the spectator who strips her bare and intrudes upon her privacy, in the image of this milieu of social voyeurism? Whatever the case, these two women regard us with defiance and subjugate those who cannot help but look at them.