Two unemployed people lose control and start earning money through some frauds.
When the crew of the Enterprise is called back home, they find an unstoppable force of terror from within their own organization has detonated the fleet and everything it stands for, leaving our world in a state of crisis. With a personal score to settle, Captain Kirk leads a manhunt to a war-zone world to capture a one man weapon of mass destruction. As our heroes are propelled into an epic chess game of life and death, love will be challenged, friendships will be torn apart, and sacrifices must be made for the only family Kirk has left: his crew.
The way home for Aleksandr Rekhviashvili is not charted in the conventional sense. It takes the viewer along some peculiar roads and across a unique landscape: Georgian history and legend, politics and social stratification, religion and ethics. Allusive, stylized and allegorical from beginning to end, his long-banned The Way Home is in part a tribute to Rekhviashvili’s favorite director, Pasolini, especially to The Hawks and the Sparrows (1966). Together with the short film Nutsa (1971) and the widely acclaimed Georgian Chronicle of the 19th Century (1979; SFIFF 1983), The Way Home closes a triptych of films that represent Rekhviashvili’s poetic contemplation of Georgia’s past. It makes extensive use of poems by Bella Akhmadulina (the major female poet of the cultural ‘thaw’ of the ’50s and ’60s and a Georgian by descent), and of sets by Amir Kakabadze. Like other films in the trilogy, The Way Home is stunningly photographed in black-and-white.--Oxymoron
Gute Zeiten, schlechte Zeiten is a long-running German television soap opera, first broadcast on RTL in 1992. The programme concerns the lives of a fictional neighborhood in Germany's capital city Berlin. Over the years the soap opera tends to have an overhaul of young people in their late teens and early twenties; targeting a young viewership. Based on the Australian format The Restless Years, which first was successfully adapted in the Netherlands as Goede Tijden, Slechte Tijden, the German version took the scripts of the first 230 episodes, even though heavily rewritten, from the original. After the first year Gute Zeiten, schlechte Zeiten started using original material. The programme started off with low ratings and was panned by critics. However the network believed in the success of the show and by the autumn of 1993 a serial killer storyline helped to improve the ratings, making GZSZ a success. It not only won its time slot but became also one of the highest-rated programmes, normally ranking in the Top 10 ratings of the day. In 2002, the soap opera reached its peak with over seven million viewers turning in for the 2500th episode. Gute Zeiten, schlechte Zeiten has tackled with issues like homosexuality, incest, rape, drug addiction, various crimes, breast cancer, bulimia, underage drinking, adoption and mental illnesses.