Baptista, a rich Paduan merchant, announces that his fair young daughter, Bianca, will remain unwed until her older sister, Katharina, a hellish shrew, has wed. Lucentio, a student and the son of a wealthy Pisan merchant, has fallen in love with Bianca. He poses as a tutor of music and poetry to gain entrance to the Baptista household and to be near Bianca. Meanwhile, Petruchio, a fortune-hunting scoundrel from Verona, arrives in Padua, hoping to capture a wealthy wife. Hortensio, another suitor of Bianca, directs Petruchio's attention to Katharina. When Hortensio warns him about Katharina's scolding tongue and fiery temper, Petruchio is challenged and resolves to capture her love. Hortensio and another suitor of Bianca, Gremio, agree to cover Petruchio's costs as he pursues Katharina.
Classic adaptation of the even more classic play by William Shakespeare.
Baptista has two daughters: Kate and Bianca. Everyone wants to wed the fair Bianca, but nobody's much interested in problem child, Kate. Baptista declares that he won't give Bianca away in a marriage until he's found a husband for Kate, so all the suitors begin busily hunting out a madman who's willing to do it, and they find Petruchio: a man who's come to wive it wealthily in Padua. And Petruchio marries Kate with a plan to tame her, while everybody else begins scheming to win Bianca's hand.
San Francisco's prize-winning American Conservatory Theater's rowdy commedia dell'arte production incorporates slapstick, pratfall and earthy humor into William Shakespeare's comedy about the two unmarried daughters of a wealthy Italian merchant. While daughter Bianca is genteel and popular, daughter Kate is foul-tempered and strong-willed. No one dares to marry Kate, until Petruchio arrives in Padua and tries his hand at courtship.
Katherine Minola is a successful politician, tipped for the leadership of her party. The only problem is, her awful temper has left her a 38 year old singleton, and everyone, from her party chairman to her sister, wants her to get married. Is passionate eccentric Petruchio the answer to her prayers?
A modern retelling of The Taming of the Shrew shot in wartime Italy.
Shakespeare’s most outrageous comedy, The Taming of the Shrew introduces one of theatre’s great screwball double-acts, a couple hell-bent on confusing and outwitting each other right up to the play’s equivocal and controversial conclusion.
Adapted from Shakespeare's play: Baptista Minola, a wealthy resident of Padua, is the father of Katherine and Bianca. The younger daughter, Bianca, is charming and has many suitors. But her father will not allow Bianca to be married until her older sister, who is notoriously quarrelsome and bad-tempered, is married first. When Petruchio comes from Verona to Padua in search of a wife, he hears of this situation, and he accepts the challenge of trying to woo and marry the ill-natured Katherine.
Based on Shakespeare's play: Petruchio courts the bad-tempered Katharina, and tries to change her aggressive behavior.
This version concentrates on the contest between Petruchio and Katerina, as it should. The Biance subplot is used only to set up the Shrew story. When the subplot is resolved, its intrusion comes almost as a surprise, but I suppose the director felt he had to tie up lose ends.
The swaggering Petruchio agrees to marry the spitting hellcat, Katherine.
This scintillating production of Shakespeare’s boisterous comedy will stir your emotions even as it challenges you with its pointed social commentary. Is the story of Kate and Petruchio one of courtship or of conquest? The breaking down of a defiant spirit or a breakthrough that liberates a heart deprived of love? You decide – but either way, this is an experience not to be missed!
A few reach a glamour people are flying to Nice, but instead of South France they are landing in the heart of Sibir.