It's been six days since the attack on Pearl Harbor. Panic grips California, supposedly the next target of the Japanese forces. Everywhere in California, people are suffering from war nerves. Chaos erupts all over the state. An Army Air Corps Captain, a civilian with a deranged sense of Nationalism, civilian defenders, and a Motor Pool crew all end up chasing a Japanese sub planning to attack LA.
Avant-garde short film. In December, 1941, using music by Stravinsky, this film provides a reaction to the Japanese attack on Pearl Harbor. An egg is smashed by a hammer; red color with white and then blue dominates the frame. Blue paint runs; small bulbs float. The dark colors spread. White, red, blue, and black dominate the frame. Then comes fire. The bulbs burn and break. A broken bulb's filaments are exposed.
After Germany invades Poland and the Nazis order the confinement of all local Jews in the ghetto, medical doctor Artur Planck (Joseph Fiennes) manages to flee with his family, seeking refuge at the farm of Emilia (Kelly Harrison), their former grocer. With the Planck family hiding in her attic, Emilia finds her feelings for the physician growing stronger than she wants, or can control -- despite the dangers of the situation.
Years later, a woman narrates her personal story of the Japanese takeover of Hong Kong in 1941. She's Nam, young, attractive, daughter of a wealthy rice merchant, and prey to painful, disabling seizures. Her boyhood friend is Coolie Keung, whose family used to have wealth; he's now impoverished, a tough kid, a leader, in love with her. Into the mix steps Fay, cool and resourceful, an actor from the north, intent on getting to Gold Mountain in the US or Australia. They form a threesome, but the day they are to leave Hong Kong, the invasion stops them. Fay must rescue Keung from collaborators, Nam falls in love with Fay, and danger awaits their next attempt to escape. Written by
Blooper out-takes from Torrid Zone, Four Mothers, _Wagons Roll at Night, The (1941)_ , _Sea Wolf, The (1941)_ , No Time for Comedy, _Bride Came C.O.D., The (1941)_ , and Affectionately Yours, among other Warner Brother productions in 1940 and 1941. The film short is a bonus feature on disc three of _The Maltese Falcon (1941)_ 2006 DVD set which contains the two previous film versions of the novel.
In this musical, the second entry in a five-film series, a thrift shop owner sells his business and buys a small time radio station. He begins looking for sponsors. He finds one with a department store owner who will only lend him the money if he will allow his daughter, an aspiring tap-dancer and singer, to perform on the air. This is unfortunate as she is tone-deaf. To compensate, the owner hires a real singer to dub the daughter's voice. The singer and the owner's nephew fall in love and mayhem ensues. Songs include: the Oscar nominated "Who Am I?," "Swing Low Sweet Rhythm," "In The Cool of the Evening," "Make Yourself at Home," "The Swap Shop Song," "The Trading Post," "Sally," "Ramona," "Sweet Sue," "Dinah," "Margie," and "Mary Lou."
It is the summer of 1941 and the Finnish army has been mobilized along the border with Russia. A platoon led by Lt. Eero Perkola is waiting for orders to go on the offensive. The platoon receives orders for a recon mission through the wilderness around the Lieksa lake to search for possible Russian defensive positions.
On a scientific expedition to Siam young Billy Batson is given the ability to change himself into the super-powered Captain Marvel by the wizard Shazam, who tells him his powers will last only as long as the Golden Scorpion idol is threatened. Finding the idol, the scientists realize it could be the most powerful weapon in the world and remove the lenses that energize it, distributing them among themselves so that no one would be able to use the idol by himself. Back in the US, Billy Batson, as Captain Marvel, wages a battle against an evil, hooded figure, the Scorpion, who hopes to accumulate all five lenses, thereby gaining control of the super-powerful weapon
A family suffers at the hands of the Japanese during the occupation of Hong Kong.
More than just a landmark in superhero animation, Max Fleischer's Superman shorts were no less than the foundation for so many shows that succeeded it. Playing in theaters in 1941-42, only a few years after the Man of Steel made his debut in Action Comics, these 17 exciting films were produced by Fleischer and made famous the phrase "This looks like a job for Superman!" At 10 minutes, each film had just enough time to run the opening credits, establish the threat, let Lois Lane make a headstrong rush into peril, and allow Clark Kent to change to his alter ego and save the day. The films show a remarkably dynamic and atmospheric storytelling style that enables them to hold up for modern viewers. At first the films followed a science fiction-fantasy theme, but not unexpectedly for that time soon focused on wartime concerns.
The year is 1941. Two Investigators are doing research on an old well. One of the gentlemen climbs down the hole and then they communicate through a military phone. But something is strange, the place, the hole, and then the phone...
Lewis Stone urges movie-goers to appreciate those in the US armed forces who will be spending the holidays overseas, away from their families. On behalf of everyone in motion pictures, he wishes them "a very happy, and a free, holiday." Written by David Glagovsky (Taken from the imdb page)
A non-narrated documentary, told mainly in interviews with the filmmakers, on the making of the cult comedy classic, featuring outtakes, rare behind-the-scenes home movies, and trivia facts.
Inya, a heroine of the Philippine resistance against the Japanese during World War II, recalls events involving her husband Edilberto and their childhood friend Ignacio, a transvestite who, masquerading as a woman also named Inya, becomes the lover of the local Japanese commander, Ichiru, and is caught between a duty to be a spy for his country and friends and his reluctant but growing love for Ichiru.
The scourge of the Atlantic Ocean during World War II, Hitler's U-boat "Wolf Packs" were described by Winston Churchill as his greatest fear. And these roving bands of submarines quickly became the biggest threat to England, cutting the country off from vital supply routes and almost starving it into submission. This documentary traces the escalation of the U-boat war from 1939-41 with striking images collected from captured German footage.
At dawn on June 22, 1941, Germany invaded the Soviet Union. On the same morning, Germany demanded permission from the Swedish government to transport 18,000 German soldiers from Norway to Finland across Sweden by railway. This was a difficult problem for the Swedish government. On one hand remaining friendly with Germany at the height of its power, on the other maintaining a strict neutrality. The Swedish cabinet meet in Stockholm to decide upon the best reply to the German demands.
Part two of the Husker Century trilogy describes the struggle and spirit that brought Nebraska's football program from difficult times during World War II, through 17 losing seasons in 20 years, to the arrival of Bob Devaney. Exciting game films and interviews with former Huskers Dennis Claridge, Frank Solich, Jerry Tagge, and Johnny Rodgers tell the inside story of the Devaney era, culminating with the 1971 "Game of the Century", Nebraska - Oklahoma. "Spirit of Play" chronicles the events and profiles the individuals who sparked the Big Red spirit that spread across Nebraska like prarie fire.
The breakout of the war shatters the world of a young student, Lyudmila Pavlichenko, forcing her to enlist in the army in 1941. The maiden turns out to be a natural-born sniper, her impressive skill and prowess make her stand out among men and women alike. Seeing Pavlichenko as a tangible threat, the German High Command gives orders to eliminate the girl whatever the cost. In the meanwhile, Lyudmila meets a man and falls in love. War fades into the background... Soon, however, another misfortune befalls Lyudmila leaving the man she loves on the brink of death and herself seriously wounded. The girl is pulled out of combat and later goes to the United States with a publicity visit. Eleanor Roosevelt welcomes Lyudmila in the White House and the two women soon become close. It won't be long before Pavlichenko stands before an audience in Chicago pressing for a second front. Will her words have the capacity to change the course of war?