Sixteen-year-old Lucia wants to get rid of two things more than anything: her lice & her virginity.
Various lives converge on an isolated island, all connected by an author whose novel has become inextricably entwined with his own life.
A man suffering from insomnia is tricked into buying a drug, Lucia, that makes his desires come true in his dreams, blurring the line between fantasy and reality.
In his award-winning film Lucía, Humberto Solás interpreted the theme of Cuba’s hundred years' struggle in an entirely novel way to create an epic in three separate episodes, each centred around a woman called Lucía and each unfolding in a different period of Cuban history, corresponding to the three stages of colonialism (1895), neocolonialism (1930) and socialist revolution (1968). The three episodes also present us with "Lucías" of different social classes. Solás described his film in this way: "The woman's role always lays bare the contradictions of a period and makes them explicit: Lucía is not a film about women, it's a film about society."
Alejandra and her dad Roberto have just moved to town. She is new at school, he has a new job. Starting over is sometimes complicated when you have left so much behind.
An assistant prosecutor zealously pursues a conviction in the case of a pediatric nurse accused of murdering her patients, but doubt arises when her evidence shows that the infants may have died of natural causes.
A melodramatic story of Lucia, who serves as a charwoman on the Podlogar family's rich farm, and makes a fuss among householder's sons, as she becomes pregnant with one of them. A decision on whether one should be forced into marriage with the pregnant charwoman and her child, ends tragically. Will Lucia be able to sustain psychological pressure, contempt and pity of the Podlogar brothers?
Lucía is a young woman who works as a seamstress in a factory and lives with her father in an old house in Santiago, Chile. The film occurs in December 2006 during the weeks that take place from the ex-dictator Pinochet’s funeral to Christmas Eve. Through the simple observation of Lucía’s daily life, the spectator is allowed access into a hidden and neglected world of a generation of Chileans striving to recover from the military dictatorship.
This is the story of Lucia, a young woman who has to take care of her teenager daughter all by herself working for an architectural firm. When she has to do an evaluation of a land, she finds out there is something off.
Opera company gathers to celebrate a wedding and perform
Lucia remembers the summer when she felt in love with Luis and her fear of the dark.
Lucia, a little girl who is ill in a hospital, is curious and wants to explore. She embarks on a nocturnal adventure.
A woman and her family leave their fishing village after an oil spill and move to the ghettos outside Manila. There the woman struggles to keep her family together amidst terrorism, crime and corruption, and attempts to prevent her children from falling prey to the dangerous allures of the city's night life.
High school student Mikaela is attracted by her Swedish teacher Göran and writes an erotic novel for his class.
Lucia, an children's book author, tells the story of her husband's disappearance. One day on their way to Brazil he just disappears. She goes to the police, gets a ransom note, and makes friends with the old dude downstairs and the young dude upstairs as she tries to find him. Things take a bit of a twist as she realized the kidnapping may not be as simple as it seems on the surface.
After a four-year absence, Joan Sutherland returns triumphantly to the Met in the role that assured her international fame. This presentation of Lucia di Lammermoor was taped during the November 13, 1982 performance at the Metropolitan Opera House.
1930s comedy drama based on EF Benson's novels, about the rivalry between two women in a quaint village.
Comedy, set during the 1930s, of social rivalry between two women in a small English town. New arrival Lucia (Geraldine McEwan, as Emmeline "Lucia" Lucas) creates challenges to the established local social dominance of Miss Elizabeth Mapp (Prunella Scales).