A former U. S. diplomat returns to service in order to save a former colleague in Beirut.
Isabel is a beautiful aspiring singer with great aspirations but persistent bad luck convicted of a crime she did not commit. Serving time in prison she is released under parole and lands a singing gig at a dive in Barcelona where she meets Sandro "The Greek" and his partner lover Gloria. The couple is posing as entertainment promoters but they are really running a prostitution ring based in Beirut. They offer Isabel a two-year contract to perform in "night clubs" in the Near and Mideast even after they learn that she cannot travel abroad due to her legal status. Upon arrival in Beirut, Isabel and the other girls are sped away to a luxurious villa where they discover the real intentions of the pseudo-promoters. They are expected to sing and dance but also to engage in sexual activities with the rich clients that patronize the place. Isabel pretends to go along with the situation but she has a plan to get away
In the aftermath of the 1967 defeat, four young Lebanese try to figure out their places in a society whose rules seem to have changed. It proved to be an extraordinary anticipation of the civil war that would engulf the country while the film was being edited.
An American CIA agent (Richard Harrison) must find the whereabouts of valuable microfilm that was smuggled over by two Russian scientists who had been hoping to defect.
The film takes place after the Lebanese Civil War during the 1990s and the Syrian occupation of Lebanon.
Fragments from movies found in an abandoned cinema in Beirut. Retrieved by Mr. Salloum. Assembled by Ms. Ahwesh.
A couple of beautiful girls are murdered while sunbathing at a luxury hotel. The killer too is murdered, but able to reveal – before dying - that they were disposed of because the “knew too much”. Something bad is being planned in Beirut, and it has something to do with a man called The Sheikh, who has only four fingers. It seems this isn’t a lone incident. The Sheikh is also thought to be behind the assassination of several prominent scientists.
The story of two sisters, Dima and Rim, and the city where they grew up, Beirut. Dima left Lebanon in 1984 to study in Belgium. Rim never left and is a painter. The two have lived the events of Beirut to their fullest.
The capital of Lebanon burns through photo-chemical manipulation, specifically variations on Mordançage and Chromaflex film processing techniques. Still, the images from one of the oldest cities in the world remain recognizable... The footage is almost entirely edited in camera. The sound design includes field recordings, modular synthesizers, and Buzuk samples by Bob Lachapelle.
Late in the 1980s it seems like the Lebanese conflict will never end. Khalil returns to Beirut after many years. Ten years earlier, during a battle, he took advantage of the confusion and pretended he was dead.
Zeina (Nadine Acoury) is a Catholic student whose good friend Haidar (Haithem El Amine), a Muslim, has always been particularly close. After a futile attempt to get together (he gets caught in traffic), they each decide to make an audio tape trying to explain, based on their own ideas, why there continues to be fighting in Lebanon now, in 1977, and why they are against it. Zeina is about to leave for the United States and Haidar is to meet her at the airport, where they will exchange their tapes. Alas, fate intervenes because when he arrives early at the airport, he is harassed by someone looking to prey on gullible refugees and he gets so angry that he grabs a taxi out of there, throwing his tape away as he does so. When Zeina arrives and realizes he is not there, she is broken-hearted. In a strange twist at the end, the cast and the director (Borhane Alaouie) have a discussion as to whether or not the character of Haidar should kill himself.
The British correspondent in Lebanon, "Robert Fisk", tries to find the roots of misunderstanding between the Muslims and the Western World, and why some Muslims do not trust the West. He travels from Lebanon to Palestine,then to Egypt, and finally concludes his journey in the terrorized Balkan. He also makes a short trip to Poland, showing an eloquent description of the Holocaust.
In a city post-apocalypse, young men communicate only through smart devices. They make home out of urban debris. They can’t speak to each other, but are still able to dream.
Lebanese Comedian tells jokes in LA and Lebanon
Two young girls of the war generation, Yasmin and Leila, are in search of Beirut. When they meet an elderly film enthusiast with a secret store of Lebanese films, they persuade him to screen his collection for them. So begins an initiation into the myths and images of Beirut, but the girls want cold figures and facts, war babies indifferent to the memories evoked.
In this DVD, you'll discover Beirut's latest album go live. On September, Chryde and Vincent Moon went to New York to film the band play all the tracks from the Flying Club Cup in bars, rooms, parks and even in an ice-cream truck garage. In the hour-long movie they brought back, Zach Condon wanders alone in Brooklyn and eventually finds, in each place, his band waiting for him, behind a door, on stairs..
Which part of a sheep is tastiest? What's so funny about funerals? A Lebanese comic answers your burning questions!
Beirut: The Last Home Movie is a 1987 documentary film directed by Jennifer Fox. It follows the life of Gaby Bustros and her family, who live in in a 200-year old mansion in Beirut during the Lebanese Civil War. The Bustros family, one of the noble families of Beirut, remain in their ancestral home despite the endless war that surrounds them.
In 1982 Beirut, the war, up to that point political, becomes an internal family struggle when Jamila discovers her brother's secret queer relationship with his friend Omar.
In April, 1975, civil war breaks out; Beirut is partitioned along a Moslem-Christian line. Tarek is in high school, making Super 8 movies with his friend, Omar. At first the war is a lark: school has closed, the violence is fascinating, getting from West to East is a game. His mother wants to leave; his father refuses. Tarek spends time with May, a Christian, orphaned and living in his building. By accident, Tarek goes to an infamous brothel in the war-torn Olive Quarter, meeting its legendary madam, Oum Walid. He then takes Omar and May there using her underwear as a white flag for safe passage. Family tensions rise. As he comes of age, the war moves inexorably from adventure to tragedy.