Two girls have a chance encounter and instantly befriend. While trying to find themselves, they decide to pursue music together.
Ana, a young Spanish woman from a bourgeois family, is about to finish her studies and get married, but she is not happy. After a very unlikely event happens, her life turns around and everything changes.
Being kidnapped shatters a brother and sister's harmony, forcing them to confront their desires.
Ana, a teenager artist, is raised in Ibiza by her German father Klaus in a naturalist lifestyle. She meets Justine, who invites her to move to Madrid and get an artistic education and financial support. Ana befriends Linda, meets the problematic Said, a Saharawi youngster, and later she is hypnotized by Anglo, who opens a door to her memories and past lives.
Toma and Ana meet as students in the literature faculty, and quickly fall in love. But, because of Ana's mental illness, their relationship slowly collapses.
Kido Tatsuhiko moved to Tokyo to attend an art school and start his new life. In his new room, there\'s a small hole in the wall. At first he can see nothing through the small hole, but one night, through the peeping hole, he saw a girl named Ikuno Emiru, a perverted voyeur who ropes him into her peeping fetish... But each winds up getting more than they bargained for.
Twenty-something Ana, now living in Buenos Aires, returns to her native city of Paraná. She meets old school mates, old friends, makes new ones, and starts to rethink her life, and perhaps change her future.
Directed by Lütfi Akad.
ANA ANA is a cinematic poem about four young creative Egyptian women. Most of the material is filmed by the characters themselves, who worked with the film’s directors in a process of collaboration and mentorship over a course of two years. The four main characters find creative ways to express what is hidden within their hearts: speaking of their dreams and desires in an extraordinarily open and intimate way, and using metaphors, and cinematic storytelling to transform the every-day struggles of their lives into the sublime. Set in the overwhelming chaos of Cairo, the film also oscillates back and forth between an empty and abstract desert, which might be real or unreal.
The film is about the stepmother who tried to be a real mother of a boy. But she could be a real mother only after some difficult events for her and child.
120 fragments in 6 chapters, matching 120 nights in Tokyo, Osaka or elsewhere.
Ana, a nine year old girl, arrives with her mother to an isolated beach with the intention to rest and to know the sea. There, she discovers that they are under a terrible threat, therefore she is obligated to look for help with her father in order to save her mother.
Three different love-related stories -all starring María Vaner as different "Anas". In "The Earth," Ana is a young and idealistic woman on the verge of adulthood when her first relationship with a clerk shatters her dreams of a romantic life. In "The Air," Ana is a rebellious, easy-living type among some beach bums whose sexual leanings tend to tip the scale at active promiscuity. In "The Cloud," Ana only exists in the imagination of an introverted man, who dreams of his ideal woman.
Ana combines straight-on documentary technique with unexpected flights of dreamlike surrealism. The title character, played by Ana Maria Martins Guerra, is a young Portuguese girl who lives with her grandmother. Through their relationship, we are witness to the Cycle of Life: Grandmother takes care of granddaughter until granddaughter is obliged to do same for grandmother. The scenes between the two protagonists are counterpointed with impressionistic camera compositions based upon famous religious paintings. Ana was impressive enough to earn an American art-house release, a rarity for independently produced Portuguese films.
The young but traveled Ana arrives in a manor in the countryside of Spain to work as nanny of three girls and finds a dysfunctional family.
An artificial intelligence system takes control of a futuristic car manufacturing plant.
ANA is: a) An investigation of a cyber-sect linked to the disappearances of several women online. b) A moodboard of the aesthetization of self-destruction. c) A found footage documentary about today's subcultures.
A group of migrants from the drought areas of Northeastern of Brazil gets a truck "pau-de-arara" trying to move to São Paulo and have a better life. Along their travel, one of the women delivers a baby on the road. The driver, indeed, intends to carry them to the slave-work in the fields of a powerful "colonel", but the brave Ana faces the foreman of the farm and the driver, and the truck follows to the hired final destination.
Over a road trip, triplets Ana Laura, Ana Leticia, and Ana Lucía, along with their parents, suffer a dramatic accident crashing by the side of a river. The consequences of this event are catastrophic: Both parents die, Ana Laura loses one leg, and Ana Lucía, unconscious, is dragged by the river’s flow. Only Ana Leticia, who actually caused the accident, emerges unscathed. Soledad, a woman who was seriously hurt after her daughter’s death, helps Ana Lucía, whom she finds agonizing. Although Soledad discovers who the girl is, she takes advantage of her memory loss regarding the accident and her family and decides to keep her, making her believe she is her mother. Despite everyone declares Ana Lucía is death, Ernestina, the triplets' grandmother, and Ramiro, their uncle, don’t give up and do everything they can to find Ana Lucía. But years go by, the same as their wishful
Ana is a Pakistani drama that aired on Geo TV. Its a story about an egotistic man and the people in his life.
Follows the personal and professional lives of a group of doctors at Seattle’s Grey Sloan Memorial Hospital.
Las Dos Caras de Ana is a Mexican telenovela produced by Televisa and Fonovideo that debuted in 2006, starring: Ana Layevska and Rafael Amaya. The telenovela was made, filmed and set in Miami, Florida. The title is upon the phrase Las Dos Caras de Jano.
An adrenalized drama with darkly comedic undertones that explores a notorious outlaw motorcycle club’s (MC) desire to protect its livelihood while ensuring that their simple, sheltered town of Charming, California remains exactly that, charming. The MC must confront threats from drug dealers, corporate developers, and overzealous law officers. Behind the MC’s familial lifestyle and legally thriving automotive shop is a ruthless and illegal arms business driven by the seduction of money, power, and blood.